The controversy it excited was absolutely vital to Seattle Opera.” What made it all the more shocking is that Seattle audiences and booing don’t exactly a typical match make – as everyone knows in this city of the polite Obligatory Standing Ovation immediately followed by the Hasty Exit.īut whenever he refers to that night in hindsight, Jenkins explains why it ranks among the most treasured memories of his career as head honcho at Seattle Opera: “That night – J– made this company. Speight Jenkins remembers a lot of violent, hostile booing.
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